Wenn man zum Brexit-Drama der letzten Jahre einen Soundtrack sucht, kommt man an einer Band nicht vorbei: Sleaford Mods aus Nottingham. Sleaford Mods ist ein englisches Electropunk-Duo aus Nottingham, bestehend aus Sänger/Rapper Jason Williamson und Musikproduzent Andrew Robert Lindsay Fearn. Ihre Musik wird als Mischung aus Post-Punk, Minimal Electro und Hip-Hop mit politischen. Minimalistischer als bei den Sleaford Mods kann Postpunk kaum ausfallen. Sänger Jason Williamson und Musiker Andrew Robert Lindsay Fearn kreieren eine.
Sleaford ModsAls Sänger der Elektropunkband Sleaford Mods gibt Jason Williamson der britischen Unterschicht eine zornige Stimme. Hier spricht er über die. Wenn man zum Brexit-Drama der letzten Jahre einen Soundtrack sucht, kommt man an einer Band nicht vorbei: Sleaford Mods aus Nottingham. Sleaford Mods are an English music duo based in Nottingham, composed of vocalist Jason Williamson and musician Andrew Robert Lindsay Fearn (since ).
Sleaford Mods Spare Ribs Tour Tickets on Sale Now! VideoSleaford Mods - Shortcummings
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A52 Sounds. Sell This Version. The Mekon Album 2 versions. Deadly Beefburger Records. Austerity Dogs Album 13 versions.
Harbinger Sound. Divide And Exit Album 9 versions. Key Markets Album 9 versions. Live At SO36 Album 2 versions.
English Tapas Album 8 versions. Rough Trade , Rough Trade , Rough Trade. Liverpool, GB O2 Academy. Nov 26 PM.
Oxford, GB O2 Academy. Nov 27 PM. Nottingham, GB Motorpoint Arena. Nov 30 PM. Cardiff, GB Tramshed. Dec 1 PM. Bristol, GB O2 Academy.
Dec 2 PM. London, GB Printworks. Dec 3 PM. Brighton, GB The Dome. A collaboration between Sleaford Mods and The Prodigy was announced at the end of The Leftfield album Alternative Light Source , released on 8 June , also features a collaboration with Sleaford Mods, a track called "Head and Shoulders".
It was one of the 19 records nominated for the IMPALA Album of the Year Award. The band featured in two documentary films, Bunch of Kunst.
A Film About Sleaford Mods , released in and Sleaford Mods: Invisible Britain , released in In , an important turning point took place after many years, as Sleaford Mods left Harbinger Sound and signed with Rough Trade Records.
Their first release on the new label was the T. EP in In , following the release of English Tapas Sleaford Mods embarked on their first North American tour.
One year later, Sleaford Mods surprisingly left Rough Trade , which eventually led to the dismissal of their long-time manager and owner of Harbinger Records Steve Underwood.
After releasing Eton Alive on their own label Extreme Eating Records in , the band returned to Rough Trade.
This renewed cooperation resulted in the release of the compilation All That Glue in and Spare Ribs in including the single Mork n Mindy , which was released on October 30, and reached the top of the UK vinyl singles chart.
In , Williamson lent his vocals to the track "Talk Whiff" by Scorn. Sleaford Mods have described their work as "electronic munt minimalist punk-hop rants for the working class.
Sleaford Mods songs have been described as embittered rants about such topics as unemployment, modern working life, celebrities and pop culture, capitalism and society in general.
Williamson's voice on Sleaford Mods songs is sprechgesang , rapped with an East Midlands dialect. Smith ,  Ian Dury ,  The Streets  and Half Man Half Biscuit  as well as various punk and oi!
Williamson has cited influences including the mod subculture , the Wu-Tang Clan , Stone Roses , Nas , Red Snapper , Trim, Two Lone Swordsmen , rave and black metal.
From Wikipedia, the free encyclopedia. English electronic punk music duo. Sleaford Mods, Glastonbury Festival , Post-punk   electro-punk  minimalist  rap-punk .
The Independent. Retrieved 2 May Retrieved 18 July Paste Magazine. Are people that cunning and careerist?
Why would you infringe on that? You see the timeline. I think post- Oasis fallout, after The Libertines fizzled out, it just seemed like that whole culture had smashed itself on the head with a hammer.
I think a lot of people get over that by including themselves in those [music business] cliques. Nevertheless, the band are conscious of the responsibility that comes with growing public profile.
In June they handed over their Instagram profile and their 71, followers to the young Nottingham poet Leon McKenzie, who shared work concerning his experiences as a mixed-race, working-class man.
The following month, they did the same for fan and transgender man Oscar Rees, who had been verbally abused at one of their shows.
Does Sleaford Mods feel they have a duty to use their platform in this way?